Literature Past Questions And Answers

Note: You Can Select Post UTME Schools Name Below The Exam Year.
1101

UNSEEN PROSE AND POETRY

Read the passage below and answer the following questions:

Along marched the crowd, determined not to be distracted from its cause and the course it had charted. If anyone could intimidate the chief, it was Sasu, who led the crowd. The chief nurtured unruffled restraint. He knew Sasu, knew that Sasu would not waste the trust between them on renegades.

One way to divert a mob from its goal is to join in with it, lead it on, but, finally, veer it from the course of its cause. Onward, towards the chief's palace marched the crowd, singing war songs.

The sun frowned as the palace guards, rattling like leaves in a storm - fear branded on their faces, came out to survey the threatening crowd and prepare for a siege. Just then, Sasu turned about, heading away from the palace - with the crowd, and the war songs.

The last paragraph illustrates
  • A. anti-climax
  • B. rising action
  • C. suspense
  • D. foreshadow
View Discussion (0)WAEC 2023 OBJ
1102

A long narrative chronicling a family's heroic deeds is a/an

  • A. opera
  • B. epistle
  • C. fable
  • D. saga
View Discussion (0)WAEC 2012 OBJ
1103

This question is based on Literary Appreciation

'Symbol of fruitfulness, symbol of barrenness Mother and destroyer,

the calm and the storm!

Life and desire and dreams and death

Frank Collymore, Hymn to the Sea,

The address to the sea in the lines above is done by the use of

  • A. personification
  • B. praise
  • C. symbolism
  • D. apostrophe
View Discussion (0)JAMB 2001
1104

They said their prayers in a monotonous sing-song, kneeling on their bamboo bed like camels waiting to be loaded.

Based on Ferdinand Oyono's The Old Man and the Medal, the dominant figure of speech in the excerpt above

  • A. rhetorical question
  • B. simile
  • C. metaphor
  • D. mixed metaphor
View Discussion (0)JAMB 2012
1105

This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.

The phrase 'location indifferent' in 'Telephone Conversation' conveys Wole Soyinka's

  • A. non-concern for space
  • B. willingness to take an apartment anywhere
  • C. critical need for accommodation
  • D. awareness of the reluctance ofthe landlady
View Discussion (0)JAMB 1995
1106

NON-AFRICAN PROSE: WUTHERING HEIGHTS

Discuss the use of the weather' the window and the setting as symbols in the novel.

View Discussion (0)WAEC 2023 THEORY
1107

The phrase “living death” in a literary work is an example_____________

  • A. Synecdoche
  • B. Prose
  • C. Oxymoron
  • D. Aside
View Discussion (0)JAMB 2018
1108

Read the poem below and answer the question below:

Miniver Cheevy, child of scorn,

Grew lean while he assailed the season; He wept that he was ever born,

And he had reasons.

Miniver loved the days of old

When swords were bright and steeds prancing; The vision of a warrior bold

Would set him dancing.

Reading the poem, one notices that the poet is being
  • A. hyperbolic
  • B. euphemistic
  • C. ironic
  • D. sarcastic
View Discussion (0)WAEC 2023 OBJ
1109

A sonnet may be divided into an octave and a

  • A. tercet
  • B. quatrain
  • C. sestet
  • D. couplet
View Discussion (0)WAEC 2000 OBJ
1110

AFRICAN PROSE

ADICHIE CHIMAMANDA NGOZI: PURPLE HIBISCUS

Examine the relationship between Eugene and his wife in the novel.

View Discussion (0)WAEC 2015 THEORY